Studio Pottery, Lucie Rie. Design, footed bowl, Porcelain ca.1970

Footed bowl by Lucie Rie – Gomperz [1902 Wien – London 1995] British. Impressed with artist’s seal.

Lucie Rie Design Porzellan Schale 1970er Jahre

Design Objekt – Studio Keramik
Entwurf und Ausführung: Lucie Rie – Gomperz [1902 Wien – London 1995]
Monogrammiert am Boden LR
Maße: Durchmesser 25,5 cm
Zustand: sehr gut

Literatur: ‘Hans Coper’ by Tony Birks, Sainsbury Centre for Visual Arts, Norwich, 1983.
Literatur: Lucie Rie, Hans Coper, and their pupils: A selection of contemporary ceramics illustrating their influence, Sainsbury Centre for Visual Arts University of East Anglia 1990.
Literatur: Laura Grey, Contemporary British Ceramics and the Influence of Sculpture: Monuments, Multiples, Destruction and Display (Routledge Advances in Art and Visual Studies) 1. Auflage

Stichwörter: Studio Keramik, Karl Scheid , Ursula Scheid, Wendelin Stahl, Werner Bünck, Horst Kerstan, Walter Popp, Ashoff, Beate Kuhn, Vera Vehring, Kurt Spurey, Chapallaz Edouard,
Bontjes van Beek, Mary Rogers, Hans Coper, Lucie Rie, Kunstkammer Ludger Köster, Mönchengladbach

Literatur: John Houston, ed., Lucie Rie: a survey of her life and work, exh. cat., Crafts Council and The Victoria and Albert Museum, London, 1981,
Literatur: Lucie Rie / Hans Coper – Masterworks by Two British Potters, exh. cat., The Metropolitan Museum of Art, New York, 1994,
Literatur: Tony Birks, Lucie Rie, Yeovil, 1994,
Literatur: Garth Clark, The Potter’s Art, London, 1995,
Literatur: Margot Coatts, ed., Lucie Rie & Hans Coper: Potters in Parallel, exh. cat., Barbican Art Gallery, London, 1997,
Literatur: Glenn Adamson, Martina Droth and Simon Olding, eds., Things of Beauty Growing: British Studio Pottery, exh. cat., Yale Centre for British Art, New Haven and The Fitzwilliam Museum, Cambridge, 2017,

Austellungen:
‘Masterworks: Lucie Rie and Hans Coper’, Leamington Spa Art Gallery and Museum, Royal Pump Rooms, 21 April-3 June 2001 (from collection on temporary loan, 2001-2002)
Birmingham Museums and Art Gallery, Gallery 10 and the Industrial Gallery, June 2002-June 2004 (from collection on temporary loan, June 2002-June 2004)
‘Masterpieces of Studio Pottery’, Shipley Art Gallery, Gateshead, 29 January-15 May 2005 (from collection on temporary loan, 26 August 2004-31 July 2007)
‘Lucie Rie & Hans Coper: Art Alive is Always Modern’, MIMA, Middlesbrough, 28 November 2008-15 February 2009 (from collection on temporary loan, 1 February 2008-21 August 2012)

Dame Lucie Rie studied under Michael Powolny at the Kunstgewerbeschule in Vienna before immigrating to London in 1938. In London she started out making buttons for the fashion industry before producing austere, sparsely decorated tableware that caught the attention of modernist interior decorators. Eventually she hit her stride with the pitch-perfect footed bowls and flared vases for which she is best-known today. She worked in porcelain and stoneware, applying glaze directly to the unfired body and firing only once. She limited decoration to incised lines, subtle spirals and golden manganese lips, allowing the beauty of her thin-walled vessels to shine through. In contrast with the rustic pots of English ceramicist Bernard Leach, who is considered an heir to the Arts and Crafts movement, collectors and scholars revere Rie for creating pottery that was in dialogue with the design and architecture of European Modernism.

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